Jo and Juan are an animation team based in Melbourne, Australia. They create some beautiful animations for music videos, such as Cuando Reis, and the remarkable recent documentary, Strange Birds in Paradise. Arlo catches up with them to see how they go about producing some of these inspiring works.
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Jo and Juan
Nick Thayer
Arlo interviews Nick Thayer about his songwriting process.
Danny Bonnici
Pro Juice's Arlo Picasso interview mixer/mastering guru Danny Bonnici on all things Mixing and Mastering.
Matt Arnold
Matt Arnold is an Art Director and Animator from Melbourne. Armed with his laptop and After Effects his churning out some great work.In this interview, Matt discusses with Arlo how he went about creating a unique music video for Australian artist, Whitley.
Matt Wood
Matt Wood is a DOP working in Australia on features, music videos and TVC’s. He catches up with Arlo to chat about a ring light he built for less than 10 bucks.
Pekka Stokke
Pekka Stokke is an editor, VJ and visual artist working from Trondheim in Norway. He can often be seen throughout Northern Europe projecting visuals for jazz groups, electronic acts and metal bands such as Motopsycho. His work is experimental to say the least and is always captivating. Here, he talks all things tech and lets us know what he’s recently been up to.
Dropbear
Motion designer and animator Jonathan Chong has created some killer work over the last few years and in this segment we catch up with Jono to chat about how he created the music video ‘Feather Leather’ for good friend and music producer Spoonbill.
Spoonbill
If you’ve been following our first series of Pro Juice, you might remember our interview with motion designer, Jonathan Chong where he ran us through the music video ‘Feather Leather.’ In this segment we’re going to catch up with the man behind the bird to chat about how he pieces his music together.
Michael Ciccone Interview
Michael Ciccone creates, develops and produces documentary, drama and multiple forms of other programming, at the highest standard for Melbourne's Truce Films (formerly, Happy Days Films).
In the ever changing landscape of Australian film and television, Michael places great importance in innovation and originality, so long as the essential elements of story are not compromised.