Audio

Wonky Wobble Bass Sound

Posted by Arlo on 5 August 2011

OpiuoOpiuo is a New Zealand born, Australian living, music producer making glitch hop in his sunny Northcote studio and taking it around the globe. In this segment he shows a quick way to make a wonky, wobble bass sound.

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Recording Acoustic Guitar

Posted by Arlo on 5 August 2011

Acoustic GuitarArlo shows us how to record acoustic guitar effectively.

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Drill Samples

Posted by Nick on 5 August 2011

Arlo gets down and dirty with a drill to create the some nifty sounds for his sampling pleasure.

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Little Snare Snare Sounds

Posted by Arlo on 4 August 2011

Arlo has showed us already how to create killer snare sounds. In this segment from the first episode of Pro Juice Series 1, he shows us how to create tight little snare sounds. Very rad indeed!!

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Prep Your Drums

Posted by Arlo on 4 August 2011

Prep Your DrumsIn this segment Arlo shows you how to prep your drums to keep super efficient in the studio!!

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LoFi Tape Sound

Posted by Arlo on 3 August 2011

Lo Fi Tape SoundThis is a way to get some nice warm analogue dirt into your normally stale, digital recordings. What’s better it shouldn’t cost a cent and it can be done with things you can find in your own home. For starters you’ll need something that you wanna spice up. I’m gonna be using this drum-loop.

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Breakbeat Kitchen

Posted by Arlo on 3 August 2011

Breakbeat KitchenArlo show us how, cutting and splicing a real drum recording, can make the 'Breakbeat' a most powerful weapon, in your arsenal.

In this tutorial, Arlo uses the shareware program - Madtracker. Grab yourself a copy here.

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Side Chain Compression

Posted by Arlo on 3 August 2011

Side Chain CompressionArlo explores the fundamentals of side chain compression, a dynamics process that can make your tunes 'pump'!

A side chain, in biochemistry, is a component of a molecule that is attached to a core structure. But this isn't biochemistry.

When WE talk about side chain, we talk about a signal routing method, mostly employed to activate an effect from a separate channel. This means for example, you can use the dynamics of one channel to activate a compressor on another.

It's used in abundance with house music at the moment and it's a great trick to learn, because it can add new life to you mixes. Rather than mixing everything 'around' everything else, you can make certain channels demand their space in the mix.
This example shows a kick drum side chained, to a compressor on some synth pads.

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Powerup

Posted by Arlo on 3 August 2011

PowerupArlo show us how a powerup can be used to psyche your audience into a fat drop.

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Guitar Synth

Posted by Arlo on 3 August 2011

Guitar SynthThis is a trick that changed the way I wrote music.

With this simple example, you can see how electronic music is limitless. We don't have to make 'techno' that sounds like vintage synths and old drum machines, just because we write electronically. There are truly infinite textures to explore.

Don't think just because you work alone in a home studio, you have to make a certain genre of music. All the instruments in the world have been recorded at some point. So with a mixture or sampling, synthesis and creativity, you can turn your computer into a metal band, a Jazz Trio or an orchestra. That's when you can make true expression because, you're not bound by tone or genre.

This tute features 'mda combo' an open source plugin available for free from: mda.smartelectronix

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